Image credits: SLIDE IMAGES: Annibale Carracci, River Landscape, 1590, oil on canvas, The National Gallery of Art, Washington. Samuel H. Kress Collection. Reproduced in 'Woodland Imagery'. Women in the Arts: Eunice Bourne, Embroidered Overmantel, 1745-50, plain-weave linen, embroidered with wool, silk, metal-wrapped thread and glass beads, 63 x 129 cm. Museum of Fine Arts, Boston. This photograph shows the embroidery, still in its original 3-paned frame with its mullions visible over the continuous textiles beneath. Dorothea Tanning, The Philosophers, 1952, courtesy of Mimi Johnson, Photo: Margaret Fox; Helmer Osslund, Autumn Day at Torneträsk (1909), Nordiska Museum, Stockholm, Bertil Höglund/Nordiska Museet. Reproduced in 'A Circumpolar Landscape'. BROWSE BY THEME IMAGES: Modern and Contemporary Painters: Hurvin Anderson, Maracus III, 2004 © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. Reproduced in ‘Hurvin Anderson’; Sculpture and Installation: Nigel Hall, Mirrored, 2011. Edition of 3. Bronze. Private Collection UK. Reproduced in 'Nigel Hall'. Women in the Arts: Emily Young carving Cautha (2019), Tuscany, Italy. Photograph by Joshua K. Jara. Reproduced in ‘Emily Young’; Hot Topics in the Art World: Photograph from the Art Business Conference, London, 2024. Surrealism: Dorothea Tanning, The Philosophers, 1952, courtesy of Mimi Johnson, Photo: Margaret Fox. Reproduced in 'Dorothea Tanning: Transformations'. Museums and Curating: A visitor at MbdK Leipzig. Photo: Dinah Casson. Reproduced in ‘Closed on Mondays’; History of Architecture: Lympne Castle, restored and extended by Robert Lorimer for Frank Tennant, from 1906. Photo: Robin Forster. Reproduced in ‘Edwardians and Their Houses’; The Future of Housing: Karl-Marx-Hof by Karl Ehn (1927-31), Art Kowalsky/Alamy. Reproduced in ‘Rebel Modernists’.