Photo of Blenheim Palace, water in foreground, lawn in middleground, stone building in distance. trees frame the shot.

Lund Humphries

Publishers on Art, Architecture & Design since 1939
NEW ARTIST MONOGRAPH

DAVID REMFRY

COMING SOON

John Vanbrugh

by Charles Saumarez Smith
two rows of multi-coloured book jackets.

HOT TOPICS IN
THE ART WORLD

painting of autumnal northern landscape with mountains, lake, snow, trees, and grazing reindeer.

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Image credits: SLIDE IMAGES: SLIDE 1: Blenheim Palace. Photo: David Valinsky. Reproduced in 'John Vanbrugh' 2025. SLIDE 2: David Remfry, What Makes Us Tick?, 1992, Watercolour on paper, 102 x 153, Private Collection, Prudence Cuming. SLIDE 3: SLIDE 1: Blenheim Palace. Photo: David Valinsky. Reproduced in 'John Vanbrugh' 2025. SLIDE 5: Helmer Osslund, Autumn Day at Torneträsk (1909), Nordiska Museum, Stockholm, Bertil Höglund/Nordiska Museet. Reproduced in 'A Circumpolar Landscape'. BROWSE BY THEME IMAGES: Modern and Contemporary Painters: Hurvin Anderson, Maracus III, 2004 © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey. Reproduced in ‘Hurvin Anderson’; Women in the Arts: Emily Young carving Cautha (2019), Tuscany, Italy. Photograph by Joshua K. Jara. Reproduced in ‘Emily Young’; Hot Topics in the Art World: Photograph from the Art Business Conference, London, 2024. Surrealism: Dorothea Tanning, The Philosophers, 1952, courtesy of Mimi Johnson, Photo: Margaret Fox. Reproduced in 'Dorothea Tanning: Transformations'. Museums and Curating: A visitor at MbdK Leipzig. Photo: Dinah Casson. Reproduced in ‘Closed on Mondays’; Books on Cities: Gasholder Park seen from a balcony of the Tapestry Building at King's Cross. Photo: John Sturrock. Reproduced in 'King's Cross' 2025. History of Architecture: Lympne Castle, restored and extended by Robert Lorimer for Frank Tennant, from 1906. Photo: Robin Forster. Reproduced in ‘Edwardians and Their Houses’; The Future of Housing: Karl-Marx-Hof by Karl Ehn (1927-31), Art Kowalsky/Alamy. Reproduced in ‘Rebel Modernists’.